Tuesday, March 20, 2012

Croque Monsieur - HOTR Version, the Swine Sandwich.

My French language skills aren't the best (though I know "colorful" words of various languages to use as necessary). I once had the back of a transport filled up and a few of the passengers were French Nationals. So I thought I'd show off my "I took a whole year of college French" skills, making the pre takeoff announcement in both English and French. "We're no. 1 for takeoff, please check your seatbelts are fastened." As soon as I was done, laughter erupted. Never a good sign.

After the flight I spotted the nearest French uniform and asked "OK, WHAT did I say?". Apparently it was "We're becoming unglued, guard your nose for a quick abruptness!" (Well, actually given the airstrip, that was probably close).

But even if my French skills bite, I can make a number of tasty bites from various French menus. One of my favorites, a simple but hearty sandwich, the croque-monsieur. Basically, it's a grilled hot ham and cheese (typically Emmental or Gruyère, noted for their melting properties). Yet it's so much more than that, like most French cooking, rich in flavor, even when simple in construction. Golden Brown, crisp toast with almost lip blistering creamy melted cheese that lurks in the background of the slightly salty ham.

C'est Magnifique as Mr. Cole Porter would say.


It originated in France as a quick meal served in cafés and bars. Versions exist with béchamel sauce broiled on top or ones topped with a fried egg (which are called Croque Madame, supposedly due to the egg resembling a 1900's ladies hat). Seasoning is normally just salt and pepper, and only ham is used.

It's so popular that it's even on certain French McDonalds Menus as the "Croque McDo", though I would seriously recommend that you Croque McDon't.

The HOTR version has an additional kick of cayenne and nutmeg and two cheeses in the béchamel. The sauce is drizzled on Applewood smoked bacon inside, rather than broiled on top. That keeps the bread, pan grilled in Clarified Butter rather than oven toasted, buttery and crunchy outside, the perfect pair to the fried egg placed on top.

It's a knife and fork sandwich and not one for either the meek or the dieting. But it's worth a try and makes a great brunch meal. (click on photo to enlarge).


Béchamel sauce: (makes enough for 4-5 sandwiches, leftovers good in egg dishes, or you can cut recipe in half)

2 Tbsp butter (don't even think of using margarine)
2 Tbsp flour
1 1/2 cups whole milk
A pinch each of salt, white pepper, black pepper and a generous pinch of cayenne and nutmeg
3 Tablespoons grated fresh Parmesan cheese
1/4 cup grated Gruyère

For Each Sandwich:

2 thick slices of Italian, Brioche or bakery quality white bread
1/2 cup grated or one thick slice Gruyère or Emmental cheese
1 nice thick slice or 2-3 thinner slices ham (3-4 ounces per sandwich)
2-3 slices applewood smoked thick cut bacon, cooked until done but not crunchy.
1 to 3 teaspoons mayo
1 to 2 teaspoons Dijon

Make the béchamel sauce:

Melt butter (on medium heat) until it starts bubbling. Then, add the flour. Stir. Let the mixture cook, stirring constantly, for about a minute, (or until it smells nutty and looks to be a light blond color). Whisk the milk in, then bring it to a bubble, whisking constantly. Lower the heat (to low). Add the Parmesan and 1/3 cup Gruyère, salt, and peppers, nutmeg and cayenne (still whisking). Cook the sauce until it is thick enough to coat the back of a spoon. Don't be tempted to speed up the process by turning up the heat, you'll just burn it. Remove from heat, stirring occasionally.
Sandwich Assembly:

Assemble sandwich, each sandwich having one slice of bread spread with Dijon, the other with Mayo (amount to taste but remember you're adding some sauce to the sandwich). Top bottom piece of bread with ham, cheese, and bacon and then drizzle with 2 generous Tablespoons of the béchamel sauce, just enough to lightly drizzle the contents, and place the other slice of bread on top.

For 1-2 sandwiches, put 1 Tablespoon of clarified butter per sandwich in a medium or large sized heavy bottom, oven proof pan over med/high heat. Heat JUST until the butter is very hot but NOT browning, swirling so it covers the pan. Lower heat to medium and lay the sandwich(s) carefully in the pan, pressing down (or using a bacon press, just lay it on the top). The
sandwich(s) will brown fairly slowly on the bottom so let it heat about two minutes. Add another Tablespoon of the clarified butter per sandwich to the pan and carefully flip the sandwich(s) to brown the other side, also pressing down a couple of times or using the bacon press until light golden brown on both sides.


Place the pan in an oven preheated to 300 F, and bake for about 5-7 minutes, until the cheese is fully melted. While that is in the oven fry one egg per sandwich with just a tiny dab of butter.

Serve with fries, or if you are feeling particular guilty, salad. (Note: this makes an excellent breakfast when you don't have to dépasser un puma later.)

Monday, March 19, 2012

I don't care. .

if Top Gear is on.

I can't steal your socks if you don't take your shoes off.

Blog Meet!


It was perfect weather for a day outside, or time with friends. Broad Ripple was humming with activity. With the outdoor seating at the Brew Pub full not long after a couple of us arrived and our usual family area seating spot hosting a kids birthday party, the waitstaff took us to the ("are you all over 21?". . . uh, that would be a yes) pub area. It was darker, but very cool and comfortable with lots of seating.

Our beautiful and charming hostess Roberta X.was not feeling well so we missed her (get well soon Bobbie!) However Midwest Chick and Mr. B. ,who weren't able to join us, sent down a classic sci fi book for me to deliver to her, one involving ham radios and cool spaceship technology. Thanks you two, I'm sure she'll enjoy it.

Tam, our blogmeet co-hostess arrived and took her place at the head of the table, passing out copies of the latest Concealed Carry magazine (yay!!) with our favorite back page authoress in fine form in each issue.

From 12 o'clock - Tam being the one with the green St. Paddy's Day "Moustache on a stick!" (impress your friends, scare small animals, soak up beer!) that I found in my travels.

(You can click on the photo to enlarge.)
Moving clockwise, Tam, my empty seat, Nathan, The Jack , Kerry (official Lurker #1), Old Grouch, Engineering Johnson.

Arriving a few minutes later (still playing with brand new camera, our blog photographer got a really lousy photo of the full table), were Mad Saint Jack, and official Lurker No. 2, retired military aviator and shooter of all trades, Don.

There was cheese dip with fresh bread and giant pretzels, fish and chips and chicken planks the size of well, actual planks. Of course, being gun and knife show weekend, there were conversations on that. I didn't go, still enroute from the wedding in yesterday's post, but Mad St. Jack had some finds in personal protection and Tam scored with a purchase we'll let her tell you about. Mad St. Jack gave a few of us a copy of "God, the Gunman and Me" by Jeanne Assam, a true life American hero (a full book report will be coming up later this month). Conversations were varied as always, adventure -"340,000 volts under the Sea!", why XD's aren't taking over the gun range, Glock grips, food, physics (please read Newton's laws of motion before trying to straddle a beam, just a word of advice), engineering marvels and stupid human tricks.

Too soon it was time to head home as a couple of the folks had long drives ahead.

Till next time!

Sunday, March 18, 2012

Blog Meet Weekend

It was a busy weekend, gun and knife show for those in IND, attending a wedding with EJ and other friends (and yes, I wore actually girly girl clothes) and plans to meet up with more friends later. For there's a blog meet planned. I'll have a report and a photo or two on that tomorrow, but til then I will leave you with a musical interlude - EJ plays Bach.


Saturday, March 17, 2012

St. Patrick's Day Remembrances

The land is violently green and it is raw, morning breaking with a crash of spray against a sea cliff, days stretching longer than the beaches that lie quietly in wait for a footstep to make an impression on them.

There in the sand, small bits of history, small stones, a piece of bone that appears to have been carved, a perfect, pristine shell, both delicate and strong. Water and history, two elements of life that draw me in deeply, draw me back to such places. Part of my childhood was spent on the shores of a body of water in the West where we stayed at a little cabin some summers, years before Californians discovered it and developers took over the place, building vast condos that blocked out the sun.

My brother and I would get up while it was still dark, and march down to the waters edge, hoping to get there to see the dawn explode over the water. During the day we'd float upon it in inner tubes, flotillas of youth, between fishing and swimming. I could spend hours there, just watching the way the water shaped itself around the rocks and me, the gentle waves moving against the shore, like breathing. In the bright cold water, there would be bass and crappie and all wonders of strange life.

We'd wade along the edges, gingerly looking, while not harming anything that was there, hoping to find a prehistoric shell to take home, knowing that at some time, this whole land had been ocean. We occasionally found bits and pieces of things, but nothing ever matched the one perfect shell we got on that trip to the Oregon coast to meet our cousins one summer. Many of you have seen a sand dollar. They're commonly sold in souvenir stores. But what you see is only the remaining skeleton of a living sea creature. When living, the sand dollar is covered with fine hair like cilia that cover tiny spines, soft, and almost purple in color. But the remaining shell is beautiful, fragile, white. The essential essence of what this creature was.

We'd come home at the end of an adventure, our pockets full of small rocks and shells and artifacts of the day. I felt somehow at home with these small bits of the ancient land, though I felt as if I was living in a alien world in the small eddy currents of their homes, among creatures that were so different from me, somehow I knew I belonged there. At night, we'd build a fire and sit and listen to the lapping of the waves, dreams of my future filled my head. The sound of the water, growing and swelling in rhythm to my heart beat, an accompaniment to the laughing and roasted marshmallows, the joys of a night on the water, under open stars.

Being at the rugged coast of Northen Ireland not long ago, took me back there, the rush of the water an affirmation of what draws me to search and discover. It takes me back to the taste of salt on my lips, that of rain or tears, only the years remember. The water rushes, then waits, as I do, moving in, retreating, watching, still waiting. Remembering everything past, hoping for everything good of the future, in a bone deep calm that belies the deep ache in my muscles as I climb up a trail that leads to cliffs hundreds of feet above. There at the top, a view, an expanse that is as untouched and unchanged as what drove me here in the first place. There's few other people, just a couple of us, kindred spirits, not speaking, simply looking outward.

In my pocket are the small stones, shells and a bit of bone I collected off of the shores. The finds of an amateur beach archaeologist, someone who makes their living studying the remains of a life, of past human activities. Archeology is more than a study of material remains, it's the seedbed of memory, and it's draw comes from the leap we take into connection with life.

In Dublin I took a trip to the Trinity College library to look at the book of Kells, books hundreds of years old, there in a massive hall, watched over by the white busts of philosophers. There in the dizzying array of centuries of thought how very close I felt to them, and wondered what they would think of us today there. People so different yet not so much. Priests, wanton victims, lovers, students. A flock of beleaguered human beings rushing through life with little more than spare words of text, our lives left, not to handwritten words that flow from veins that open within us, but to small snippets of meaningless text, words thrown out into the electronic atmosphere without thought to discourse or what meaning they leave in their wake.

Then the Book of Kells, painstakingly recorded in colors of the earth, preserved for 1200 years. I stood transfixed by their vision, which in their Latin told me nothing but that someone of great faith had been here and recorded his heart, a message that though I could not translate accurately, I could never fail to understand.

Too soon, the trip was over and it was time to go home. I will make the trek up above the sea, one last time before my flight back to the States is set to leave. I will go back to a happy dog, and the friends who watched him, a quiet kitchen, a calender on the wall, on the counter perhaps a bit of loose tea spilled, a pen and a journal there by the window. The house holds its traces of me, assuming I will come back and if not, that at least I would be remembered by those who love me.

But for now, a few more hours a few more artifacts of time I stole from the past, flirting with the ancients, hard rocks, the smell of peat and coal, a land brushed with snow, burnished with the traces of those that went before. Traces that say, remember me, remember this, for in it you will find yourself, and leave a piece of your heart behind.

There on top of a sea green cliff, I will throw out a rock to watch it splash down far below, as above, I watch above, from a strong, yet fragile, light shell that houses this old soul. The rock flies through the hindrance of the deepest sleeps, through the stiff fabric of the wind, into the warm sea. It's only a rock, only a bit of artifact of the past, yet the feel of its absolute form remains in my hand, long after the wind goes silent.

Too, too soon, it is time to head back. Clouds kiss the top of the hills, the rocks knitting up the small tendrils of fog into shawls that drape us as we hike on down. Layers and layers, the sea cliffs lie. Down, descending through those layers of clouds, layers and layer of memory. Memories of many miles walked upon such shores, from that first sound of a wave in my childhood to this, the span seems endless.

Till we meet again Ireland, Thar gach ni eile. .

Friday, March 16, 2012

Friday Range Fun - Guess That Gun!

Can you spot the difference?



Well the first one would be more fun to shoot.

Thursday, March 15, 2012

Resting and Remembering Places

You all know I can't discuss my work, past or present, on a blog, or my aviation background. But, for the brave, for the fallen, wherever they lost the fight - fair winds and blue skies.

What is it about old places filled with the past that fascinate so?

The landscape of the desert. The feel of machinery against our shoulder. The smell of oil and might on the breeze. I had a chance to re-visit a resting place of old aircraft.

In the desert just outside of the city of Tucson is a a place where old airplanes go to die. Davis Monthan Air Base and it's resting grounds. My job had me down in the Southwest for a day or two not long back and there was a place I just had to visit again. The"Boneyard" in the desert has been a fascination, a place where titans of the air rest before going on their way to the aviation afterlife.

The Air Force calls the desert facility "Aerospace Maintenance and Regeneration Center" (AMARC), many visitors refer to it as "the boneyard". We are probably both right. Here the U.S. Air Force mothballs planes until they either need them again or it's time to salvage them for parts. Whenever the U.S. sells surplus planes to foreign governments part of the sales pitch is that there will always have a ready supply of spare parts. Some are turned into pilotless drones and used for missile target practice. Many, too many have all the earmarks of being skeletal.

There are only three ways to view the aircraft at the heart of the Davis-Monthan facility: fly over the place (tough unless you're riding in on an F-15); from a satellite; or by Bus from the PASM. Since I can't afford either an F-15 nor a KH-12 Spy Satellite, I rode with a couple dozen other tourists and took the bus tour.

There's enough information on the place on the web and numerous aviation blog posts, so I won't get too wordy here, but suffice to say there's about every military plane ever made here, including the leviathans of the site; 100 plus B-52s, all that remain of nearly 400, slowly being destroyed as part of the Strategic Arms Limitation Treaties, and the force reduction treaties. These bombers are chopped up using a 130 ton blade, then left for a week or more to allow the Russians to photograph and confirm their destruction. I have watched several airmen view a documentary of those aircraft being dismembered and I know, that had they been alone, they would have been crying, tears for the incredible creativity as well as the terrible destruction that man is capable of.

Just beyond the remaining Buffs, where the bus turned to make its way back to the museum, are two parks of odd looking equipment. The equipment is the tooling and jigs for the B-1 and B-2 bomber production lines. One day those bombers will take up residence under the clear blue Arizona sky, and there might still be B-52s to keep them company.

It's an amazing, still place. The first time I went there, security was much freer and we were able to get up closer and look. Wander among the husks of aircraft. The aircraft, sharp and large against the backdrop of a desert sky, holding so many stories in the empty spaces they form and contain. It's mysterious, exciting, the kind of place where as a kid your dreams went. It's even more mysterious as night falls on the Sonora Desert. There, the aircraft stand like ghostly sentinels upon the hard earth, under unfathomed sky. They loom, over tiny scrabbles of cactus and the small desert creatures. They wait, on hard earth splayed with the tracks of tiny feet, and larger feet, making their own shadows of violent shade until the unrestrained stars come out at night. Their forms, so silent, yet with so much to tell.

My Sensei once said, that "emptiness is form and form is emptiness", a phrase I never really understood until that moment, staring at those cavernous behemoths of the sky. One moment they are simply an empty form, in another memory brings back to life the souls they contained, the might they rendered, the absolute force in which they sliced the sky.


Some of the airmen that flew many of these aircraft have died already, so many aircraft, so many souls on board. As I think about that, their empty bodies float in my mind, light, unfettered by gravity, I became aware of my own heartbeat in the setting sun, the labor of my lungs against my chest. Form is emptiness. Emptiness form, I say as with warm and eager breath I take in the landscape, as my mind grasps just how real, how tangible these husks of aircraft still are, even as some of their crews are but dust.

Overhead, desert thunderstorms loom and erupts, heavy drops of water hitting us as we scurry for the tour bus, threads of moisture hitting the packed earth like gunfire. The sound of thunder echoes across the boneyard, nature's taps playing as the sky weeps for the dead with crystal purity.

These thoughts were broken by the chatter of some of the other tour members. For a moment I wanted to hush them, as this was a solemn place. To tell them to be quiet. . . . . or something. Something about interfering with the shuttered windows of these forms, the dark alleys of an airplane's final resting place and the sky's remembrance of such places, filled with the elemental silence of those who have flown away.

- Love, Brigid

Wednesday, March 14, 2012

Looking Back - What a Year Brings

A year ago, the original Range was sold. I have not bought another place. I've a place a few hours away from this city for the long weekends I can get away. I don't own it, but it's as much home as any place I've ever known, with a workshop, a basement and a backyard for Barkley. I've a small condo 5 minutes from the freeway to my office, that despite good art and expensive furniture, has all the coziness of a dental lab. Yet, it is home as well. Barkley has no preference but that he be with me.

I sit there tonight, another day to work before I can load up the truck and head out of Dodge. As I ran an errand in the historic part of town, the sidewalk glinted with little bits of Mica. Not the prophet Micah who told us our human task is to do justly, but the geological kind. As a kid, the sidewalk would glitter like broken glass upon the tide flats from the small glints of Mica within it. My brother said it was made of broken star ships, and I believed him. For though there are limits as to what as children we may accept, there is no limit to what we can believe, nourished as we are by the embrace of the incredible that is found right beneath our feet.

Into the warm days of fall that is childhood's longest hour, in those weeks of summer vacation, we'd notice such things. We weren't content just to ride our bikes on these glittering trails of star-stuff, we'd get big pieces of chalk and draw on them, hop scotch, tic tac toe, our names. We'd play well into the dark, coming in only when we were hungry, the front doors unlocked to our comings and goings.


Now my driveway is just cement, as inert and cold as any object that no longer breathes. I notice that too. But a year later, people ask, "do you regret selling your place?"

I have to say no, though I don't explain why. But then again, I never explained why I bought it in the first place. You see, I bought it for my Dad.

It was the mid 2000's. Dad had a small stroke, when at the same time my Step Mom, whom he married after my Mom died young, received a cruel blow. Already struggling with early onset Alzheimer's, she was diagnosed with cancer, oral cancer, from many years of smoking in her youth. It had already spread. They removed part of her tongue and jaw, her life expectancy was only months. Dad was lost, physically in need and needing some help to keep both of them out of nursing care. My brothers had their own health issues. I was the one that could take care of him.

So I sold my two story home, with all the steps and no full bath or bedrooms downstairs, which after a Ford plant closure in my county, meant the sale price was beyond grim. I pretty much gave it away, and I bought the Range.


It wasn't a bargain, the sellers were wanting to downsize in retirement, but not in any great need to sell. But it was what I needed for the situation and homes that met the criteria for us were few and far between in move in condition. It was single story, not a step in or out of the place. It had a mother in law lay out, where they'd have their own living area, entrance and bath should they wish. There was pond out back to fish in, geese, ducks, yet they could walk, if able, down the road to church or the store. There was a large flower garden for someone that loved to grow flowers. I fixed up the deck and bought a little barbecue as Harriet would always go for an almost mooing grilled hamburger with the trimmings, even on the days she felt pretty bad and otherwise, wouldn't eat.



It wasn't what I wanted, I wanted small house and big shop, a place way off the grid, but it was what Dad needed and after she was gone, he wouldn't have to worry about senior housing or being alone. They liked the place, and there was more than one evening outdoors, a fishing line for dad, a cold beer and laughter even as we sometimes cried.


Then, with those prayers you don't think get answered, things change.

Harriet went into total remission, a miracle the doc said, and Harry was back walking. It took work, I took three months off from work and there was daily physical therapy but soon there with no signs he'd had a stroke at all. He wanted to live out their remaining days in his own house, back West, with her, and I totally understood.

He didn't need my help with physical care or physical therapy any more and he wasn't going to be lonely. He wanted to be home, with her, for however long the remission lasted and then stay where those memories remained, there were he revered and loved and lost and grieved.


And so I wandered that house that was unfamiliar, yet wasn't, the echo of their voices on the big deck I fixed up, no one else to share the place with except a few of the blog gang and the neighbors who lived much too close. The market started to tank, and I watched more and more houses in the neighborhood go into foreclosure. So 3 years ago, I made the decision to sell it. It took two years. Two years of cleaning and dog hair and sleeping on friends sofas and futons in their living room while the realtor showed it free of a barking dog that did NOT like people looking at HIS couch.

But it kept me busy, making repairs, small improvements that would make it sell even if I'd not see the money I spent for them again. I remember an afternoon in the garage ripping out a old cabinet that served more to occupy space than any actual use. More time packing away more tools to put into the storage with the rest of my stuff, keeping just enough in the home to let it show nice for the Realtors.


It was hard work yet rewarding work. A repaired and well equipped home that's self sufficient in times of problems is good. That house was just way too large for my taste, too much home, not enough character, too many neighbors, not enough shop. I would have been perfect for my Dad, it was not perfect for me.

But I enjoyed the work, pulling cabinetry out of the wall, taking tools and making them do what I needed, the sweat on my forehead, reaching my mouth, tasting of who I am, someone who's worked hard for everything she's got. Someone who will raise some sweat to keep it. When I bought that place it needed a lot of work, bathroom fixtures and an updated kitchen and I did most of the work myself. I worked late into the nights alone, too many nights, using leverage to swing the tools, but at times it seems like there are two of us, the tools and I, working side by side like familiar lovers who can guess each others moves, hearts speaking to one another in musical measures beyond the need for words.

Some of the work I was proud of, some of it made made thankful for throw rugs and large pieces of art. But like farm living, it kept me centered, close to the ground, to the earth and blood and fluid need in all things. It also honed my swearing in Norwegian, for which my grandfather Gullikson would be proud.


The tools I have are old and precious to me, some given by friends, some from home. Tools my Dad used to craft the fence around his own house, the detailed and geometrically perfect cabinets in his garage. Tools that have stood the test of time, held by three generations, tempered by fire and heat to be strong under stress, and having enough flexibility to get out of corners and swing freely as needs arise. Just as he raised us to do.

I learned about hard work early on, facing it like battle to which you carry ancient wounds. You can't live on a farm or a ranch without learning of hard work. I spent ten years as a young bride living such a life. I know the signs of impending birth in a heifer. I know how to cut a single longhorn from fifty with nothing but an ATV and a dog, all while avoiding the pointy ends. I didn't compare nail polish colors with my girlfriends, for long fingernails sort of get in the way when you have to grease a cupped hand and naked arm with Betadyne and lubricant to help a breached calf make its way into the world. I've fallen face first in stuff you don't want to know about, and cried like a child to find a calf still and cold after I spent two days nursing her after her mama died. It wasn't Green Acres though I think we had their house. It had nothing to do with Norman Rockwell and everything to do with the hundred of different ways a heart can freeze.

It was a valuable lesson in life. Hard work, hard decisions, made in evenings like that one years later as I worked away at the Range, listening to the sound echo in an empty house, learning about life and love with all the salt and truth one can expect from the swing of a hammer. It taught me more than how to lose your savings in real estate, it taught me about budgets and planning, woods and nail and drywall. It taught me about what I have the capability of, it taught me to dream the dreams of a child again.


But last March it sold, the new owners wanting to take possession as soon as possible. They were the nicest young couple, with a growing family, still laughing as to how their little girl had found the deer head mount I'd put in the closet so not to offend the liberal buyers (I was desperate to sell it at that point). "Look Mom, it's a deer like Dad's!!" So I tried to clean it as well as I could for them, inside and out, polishing, waxing, leaving a supply of paper towels, and toilet paper; new containers of cleaning products, light bulbs for some of the funky specialty fixtures and some bottled water in the fridge. In the garage, I left a ladder they'd need to get up on the steep roof, a new weed whacker, and the manuals for all the appliances I left behind to lure a "first home" owner.

In cleaning out the yard, flowerbeds of dead winter shrubbery, I found some things, an old rusted lock, a penny, and some flowers and plants I didn't even know I had. I also found something when I pulled out a large flowering shrub, deciding after it grew into my gutters each and every year that mutually assured destruction was no longer the answer, preemptive strike of chainsaw and Round Up was. When it was removed, there behind it was a small lattice. Apparently once, before Godazelia grew, there must have been tomatoes growing. That made me smile as in my childhood house, that of the sparkling sidewalks, the folks always had a tomato lattice.

What is it about certain things in life, the simplest of things, a flower, a smell, the feel of a piece of wood or tool in your hand that evokes a place, a voice, that makes you feel like a small child walking on a path of life that got suddenly big. And like a child, you deeply sense how it makes you feel, but the words you know to explain it are so very limited, so you just sit, and look, and breathe it in.


So as I sat and held that decaying lattice in my hand, I had to stop and sort my words, as memories came unbidden, color, movement shape. My Mom bending over the garden, helping my Dad weed, a good woman over whom death has already cast its shadow as surely as the apple tree shading her that day. Standing there in that barren flowerbed, as I prepared to leave, I could smell her perfume on the air, and the remembrance of the fluid movements of her hands in the soil is as real to me as a tide. Steady, gentle, certain.

I think back to the days on the farm, and remember, not the hard times, but the good. I remember the last winter there, as I helped a neighbor pull a reluctant calf from his mother's womb. If I close my eyes I can relive that next moment, in which I ceased to breath myself, as he did not. In that moment, all I could I hear was the tiniest sounds, the fairy feet of barn mice, the creek of a rafter. Then, in a rush of indignation, came the mighty and protesting bawl of that newly born bull calf, his cries from a birth wet mouth awaking something in his weary mother who lay so still there under the dark moon, both of us totally spent from the effort. I still can picture his trusting eyes fixed on her as she rose up to sniff and take him in with that wonderful snuffling rush of new found love.


Our memories are not the house we live in, they are inside of us, and all of them, the laughter and sharing of friends, both in my daily life, and you all here, all of the fun and adventures that will follow me. I'm in no hurry to buy another home, happy to rent while I look for just the right spot of land, paying cash as I've had my last mortgage. It might take a year, it might take several. Until then, my home is the pillow on which I lay my dreams, brought out with just a word, a steady, gentle, certain touch.

Before I crawl into my little bed tonight, I take out an empty dog food sack to the trash. The driveway lays in a placid, grey coma, chilling under my feet, but it leads to a road that will lead to my heart. I pull closed the gate, looking at land that holds neither corn or cows, seeing the rise of yet another new house off in the distance as I begin a clog stomping run back onto the porch. The chill night air whistles through my shirt, tickling skin, scorching my bare cheeks and the back of my throat. There on the nightstand is a dried maple leaf, a candle, a couple of photos, framed. I smile up, at stars that glitter like Mica, at unheard poetry that hides in the dark side of the moon, shining on another home far away, thankful for the journey, however painful.

I may have my scars, but I have no regrets.

Tuesday, March 13, 2012

Photos of Home on the Range, Wisdom of Lao Tzu


“The journey of a thousand miles begins with a single step.”

"To attain knowledge, add things everyday. To attain wisdom, remove things every day.”

“Time is a created thing. To say 'I don't have time,' is like saying, 'I don't want to.”


“A man with outward courage dares to die; a man with inner courage dares to live.”

“Watch your thoughts; they become words. Watch your words; they become actions. Watch your actions; they become habit. Watch your habits; they become character. Watch your character, it becomes your destiny.”



"Knowledge is a treasure, but practice is the key to it.”

"To see things in the seed, that is genius."

"Music in the soul can be heard by the universe."


“Care about what other people think and you will always be their prisoner.”

“At the center of your being you have the answer; you know who you are and you know what you want.”

"Being deeply loved by someone gives you strength, while loving someone deeply gives you courage.”


Monday, March 12, 2012

Beasties in the Night - the Bond Snake Slayer


If you are confronted with a deadly beast just kill it. Don't appoint a National Beast Czar and wait to see what happens. - Brigid

I spend a fair amount of time outdoors (by choice, not restraining order as Red Green would say). Often I have a choice of where I am. Other times I do not. I've been on the side of a mountain or two, more jungle than I like, thank you, and the"Island of the Giant Spiders in My Hotel Bed". The humidity, bad water, and those bugs the size of Volkswagens are one thing. Throw in some bio hazards and locals from other lands that occassional want to shoot at you and the fun meter drops rapidly.

But that is not the reason I wear really stout, high boots. For it's the small snakes in the grass that will do you the most harm.

I remember one work site that was in the Everglades. To this day I remember the sound as we walked down into the sawgrass towards the scene, the slithering rustle of what sounded like hundreds of snakes getting the heck out of Dodge. I about wet myself when I reached into my lunch bag later and touched the rope of black licorice I had forgotten about.

The one I've run into most often is the coral snake of which, world wide, there are over 65 recognized species.They really are not all that large as snakes go, tending to be very secretive fossorial snakes, happy to stay buried in the ground or the leaf litter of a rain forest until ready to meet your foot or your ankle, which they do with fangs that are also considered small, fixed to the front jaw and normally only if they feel you are a real threat.

Due to the time it takes for the venom take effect, coral snakes have a tendency to hold on to a victim when biting, unlike larger and more obvious vipers which have retractable fangs and tend to prefer to strike and let go immediately.


Despite their relatively small size, and a reputation for not being historically aggressive, their venom is a powerful neurotoxin.

In the far corners of the world, death awaits, and it often waits in colorfully deceptive form.


Which is why I was happy to try out a firearm known as the Snake Slayer.

A colleague purchased one to add to his collection and let me go try it out. The Snake Slayer IV. It was small, but heavy with a crossbar safety, as well as being single-action. Assuming you have some basics in firearm handling, the risk of accidental discharge on this is reduced to about nil by the engineers that designed it.

What ammo to take? There's an assortment around here. The Snake Slayer has interchangeable barrels and can take the .410 shotgun shells, but for that day it was going to be chambered for .45 Long Colt. Good thing there's some of that around. The rest of the ammo was going to be left home.
The 45 Colt originally was a blackpowder cartridge, but modern loadings use smokeless powder. The original blackpowder loads called for 28 to 40 grains of blackpowder behind a 255-grain lead bullet. These loads developed muzzle velocities of up to 1000 feet per second (1).

Because of this power and its excellent accuracy the .45 Colt was the most-used cartridge of its time, succeeding the .44 WCF (also known as the .44-40 Winchester). It was said that the cartridge was powerful enough to knock a man to the ground in a single shot and net lore has it that the US Army apparently asked Colt to go back to the drawing board and produce a less-powerful version of the cartridge for Army use as there were complaints from professional soldiers about it's "hard hitting" even firing it out of 7-1/2" barrels from a full-sized Colt Single Action Army revolver.

But even with today's less powerful modern factory loads, this little Snake Slayer had almost no barrel at all (3 1/2 inches) and none of the mass of the Colt to absorb the recoil. Weak wrists need not apply. Bang OW! Bang OW!

There was a young man next to me at the range who was giving the gun and me, the eye. I'm not surprised he looked over, the noise got his attention. He had some .45 acp for something in his bag and was shooting a Glock 9 mm. He looked at the Bond and said "oh it's so tiny!? (snort). "Does that hurt your widdle hand" (snort).

Rather than get defensive for his attitude, I batted my big green eyes, smiled sweetly and said "do you want to try it?" giving it to him, safety on, and a couple rounds chambered.

"Sure!"
He was so eager to show me how the big boys shoot he didn't notice how big the bore of the barrels were.Bang OW! Son of a Bitch!! Bang OW!

Once the little bit of smoke cleared, he grinned at me and said "Awesome! ! Where'd you get that?"

I know. I'm bad.

I checked for accuracy. Nothing close to a bullseye but I didn't expect that with a derringer. I do not know if this unique to just this model but the trigger actually pulls back and down. When I pulled it straight back the trigger pull was a lot more, around 10 pounds I'd guess. But if I pulled down and back in the same motion the trigger pull dropped to what felt like less than half that. With the short barrel, that helped from keeping the barrel from being pulled down and lowering the shot. Good to know. In any case, the accuracy was decent. In up front self defense, it would definitely hurt someone. Just the psychological effect of the noise and the smoke would be such that if you discharged it on some dark street, any felon in the area would be half way to the nearest bus station before you fired again. That's if he wasn't your target and was still walking after the wound cavity a short distance .45 LC is going to give out of that barrel.

It's not a gun for the very first time shooter or the weak of hand. Let's face it, this baby lets you know you've fired it. But you are using it for up close self defense, not an afternoon of plinking. It was pretty heavy for its small size, bulky but not too much, and they have some good holsters available for it on their website. It is built by Bond Arms, a well known, dependable and trusted American company, something I like to see. The quality and care that goes into the manufacture of this firearm definitely shows. In all, I was really glad I got a chance to try it out. It was a nifty little gun, discrete with attitude, likely able to take care of any "beasts in the night" you might meet quick, close up and personal.

(1) John Taffin (July 2001). "The Custom Loading .45 Colt". Guns Magazine.

Sunday, March 11, 2012

Sunday Supper Chop Chop!

Only those of you who remember Bonanza will likely get the reference, but as a little kid watching new and old Westerns, I remember Hop Sing and his "chop chop" as he prepared the fixings for the residents of the Ponderosa. (He always seemed to have a big cleaver in his hand, probably why no one ever complained about the cooking).

Since everyone's been calling me "Hop Sing" around the kitchen since the knee injury and surgery, I added an Eastern touch to the Sunday Range Supper with a friend. For today, a blend of Western and Eastern cuisine. Spicy roasted potato wedges topped with traditional stuffed baked potato fixings, including white and smoked cheddar and BACON, with a sour cream based sauce flavored with Thai Chili sauce and Lime. (click to enlarge the photos). Add to that some steak with garlic/parsley butter and everyone was happy.



Saturday, March 10, 2012

Field Dressing

If you open my closet, there are two sections. The "Joe Friday" section with dark blue suits and white shirts, black pants and turtlenecks. The other section, clothes in my favorite color, camoflauge. Plus in the hall closet there are tactical vests and gear to cover up the bright red hair so I don't give away position. And one little black dress.

I tend to shop quickly, seeing something that fits and is on sale and buying six of them. That ought to keep me out of a clothing store for a year, right?

But I have an invite to an afternoon Spring celebration of sorts in a few weeks and nothing I have is appropriate to be on someone's arm with, unless we are heavily armed. So I had to put on my big girl pants and go to a woman's clothing store, where I'm about as comfortable as a chicken at a wolverine convention.

But I came away with actual girl clothes
(don't faint)

Including, as close as I could get to tactical undergarments, the 007 knickers.


I think I'm prepared, though I'm not sure where THIS is going to go.


And please don't tell my knee about the shoes.

Friday, March 9, 2012

Posts from the Road - Trains of Thought

Some new thoughts, some old, for tonight, some tracks running far, words gathering speed, friends waving at a distance.

Train of thought.

Where did that expression come from? Though we use it for everything from absentmindedness to excusing our disjointed ramblings by its loss, it was elaborated four hundred years ago by Thomas Hobbes in his Leviathan in a somewhat different meaning:

By Consequence, or train of thoughts, I understand that succession of one thought to another which is called, to distinguish it from discourse in words, mental discourse. When a man thinketh on anything whatsoever, his next thought after is not altogether so casual as it seems to be. Not every thought to every thought succeeds indifferently.

Hobbes was quite the thinker, probably why Bill Watterson chose the name for his sardonic tiger in my favourite comic strip.

My personal lumbering boxcars of thought, speeding on through this railway station we call the Internet, is fueled by coffee. I do my writing early morning on the combustion of at least 3 cups of good coffee (not as much as Voltaire, who was reported to have downed 50 to 70 cups of coffee a day, a habit that explains the brevity and mania that befell Candide in only 7 dozen or so pages.)

But the term just doesn't seem to fit our new age, when abundant discourse is sent forth in the click of a mouse, words and and ideas flirting between computer terminals in nanoseconds, with voluminous paragraphs abbreviated to simple text messages. In an age where entire freight cars of words are reduced to tiny particles of matter, the term "train of thought" seems to be a disappearing trail of smoke in our vocabulary. Sonnets and poetry reduced to ;-) and "luv ya" in our rush to our next appointment.


Log trains passed behind my house when I was a child. As they traveled down the hills towards the timber mills at night, their path would cut shadows across our neighborhood. The sound would intensify as my Dad would read to me at bedtime, as shadows would slide over the wall above my bed, over the model boats and planes and trains my brother and I played with. And with the shadow came one of the first sounds of my memory, the mournful wail of a train, competing with my Dad for sound, so he would speak louder and more clearly, forcefully driving each word outward, the phrases connected and intact and uninterrupted and in that moment I discovered my love for words. And for trains.

In daytime we'd ride our bikes along the tracks, looking for diesel smoke in cold air, throbbing engines, hoping for a quick glimpse. The yard at the timber mill had more than one track running into it, and as two trains would arrive, you'd hold your breath in fear of a collision, only to have one veer off and stop, while a long line of cars safely passed. I think of the missing man formation, in which a squadron of fighter planes performs a low pass, one separating and flying off to the heavens. A ballet of mighty machinery.

Stopping on our bikes, out of breath, we see the engineer up in the engine, he's indistinct and we wonder who is is and what's in his heart as he holds the power in, his steady foot balancing on a engine that knocks and rumbles.


We're not supposed to be this far away from home, this close to the tracks, and we're going to be late for supper. But we knew enough, having learned the lesson before, that for something you love, for the ineffable feeling of rightness, of being exactly where you want to be, in tune with nature, the gods and the sound of a train, there will be a price to pay, and it will be worth it.

But before I'd dash on home, I'd memorize the names on the cars going by, forming the words in my mouth while smelling the fresh smell of wood going into the paper mill. So many cars, so many words. Each leaving a memory, branding my thoughts with its impression, burning into my head with the sunlight streaming through the slats. Carrying it's load of mighty trees fallen to make paper for which the words will one day affix themselves. Paper clean and bare with promise.

Behind my house, another train, miles of unexplored tracks to walk, tracks crossing across the landscape of this new life, when viewed from the air, almost forming letters, writing of new adventures. A poem composed of ancient ties and abandoned depots, a sad lament to the forgotten forms of old trains, to lost thoughts and the art of speaking in deep clear sentences, now reduced to emoticons and abbreviated texts. How to you reduce your feelings to 3 or four letters, and quick clips of syllables that mean so little? Words sent through space, silently with no weight.


Today, I took a short walk on a bike trail near some track to wash the images from the day from my head. I heard the sound of a train and moved away from the tracks and sat down, close enough to feel the sound, to feel the rumble under my haunches as the sun slanted daggers of sunlight onto my chest, heart still beating wild and strong. It passed, a blur of motion and smell and sound, as if running through another summer, another year, running away from desire and thought, underneath an ageless sky. The instant passed as fast as your own life could, smoke and sound elongated with speed, vanished in our solitude, even as the sound died away.

I felt no different at that moment than I did as a child, as I sat on an embankment that bore more than rails and ties. I thought I saw the conductor wave at me as he passed. But perhaps that was just a ghostly visage of memory, someone that is tied to his machine, this place. Someone who would not or could not quit this earth, until the machine he commands was finally stilled. Vanished but not gone, held in that moment in the annealing sound of speed.


My Dad no longer reads to me at night, but he sends me letters, real letters, though his household has email and a cell phone. The letters are written in clear, flowing script that belies his 90 years and in which he talks with steady and unflinching repose, of watching all his friends pass on, of navigating life in a body that aged long before his mind. He writes of the family and of his days of laughter and prayer, words of humor, of inspiration, of compelling faith. Sheets of paper that over 30 years have charted a course for me through adulthood. Sheets that lie carefully tended, fragrant and dry in a drawer, where I will have them years after he's gone, abiding strength still radiating from his descriptions of love and loss, the papers having a weight to them of his life. A weight that will keep me anchored.

How do you do that with a text message, how do you convey such feelings of family in a smiley? How do you explain what it feels to live, to breathe, to love, to fly, in a text? For those thoughts make up boxcar after boxcar of the steady motion of thought, sturdy boxes of space and time, their spaces containing the heavy load of lust and longing, pride, fear and desire. A train barrelling forward in steady progressions as moving clouds fly overhead and shafts of sunlight peer through sliding cars, into their depth. As others transmit through satellites and space, I watch the landscape from the viewpoint of the train. Structures of iron lace, the suddenness of buildings, clouds of morning mist all crossing my line of sight, my muscles straining with the curves through corn shrouded fields, moving with the train, thundering through empty fields of past loss into meadows washed with light. I rush into the rain as the cars gain speed, waters cleansing the windows on which I look out on life. I hurl words into the darkness of an upcoming tunnel and wait for their echo.


Train of thought rushing on. Life viewed as a passing landscape in which I live in the midst yet best write about it only as it has passed my window, a memory behind me trailing in the smoke of the engine.

I don't have a blackberry. Outside of my laptop on which I write, my communications are lengthy strings of words, heartfelt messages splayed out on paper, their sincerity driving their movement, under my pen, the words stringing out behind me. My words will be my own, the track they follow a mystery until that next bend is rounded. A story composed of past journeys on ancient rails, washed clean by wind and rain and tempered by time, written to the mournful sound of a train whistle echoing through abandoned dreams and ancient memories. The words strung out like railway cars, beyond which wait the world and man, hope unrestrained and incontrovertible, the last car passing, moving fast now, the wind rushing past me like a flood, leaving me breathless.

How do you textspeak that?