What color brings to mind your past?
When I was very young, I shared a bedroom with my grandmother, who lived with us until her passing. The room was painted what I think they called rose, but was really more of a vivid salmon pink. She loved that color, the one of the roses her Norwegian logger husband gave her before an accident in the woods, when the weight of the world seemed to fall down. Doctors could do nothing for such internal injuries, so they brought him home to quietly bleed out, there beneath her tears. She was just 36 years old and had three children. She never remarried.
As a kid, I hated that color. It certainly didn't match my G.I. Joe action fort I'd built in the corner of the room. I swore if I ever had my own place it would NEVER have a pink room.
A couple of short years after Grandma passed away, Dad stated that my room needed repainting (Yay!) I asked if I could paint it and paint a rainbow on it (hey, I was in 6th grade). He said yes, but he was only going to buy the base color. Anything else I did to it, I'd have to use the leftover paint from the garage.
I chose yellow. Let's just say there wasn't much to pick from for the rainbow which is why there remained til the day the house was sold, two rainbows, a half one behind the bed, and a full one on the other side made out of 70's yellow, gold and aqua and yes, the remainder of the horrid salmon pink. Dad refused to paint over them, and surprisingly, when he had his kitchen fire, my room was the only one closed off to the point it had no smoke damage.
There is no accounting for taste in color. When Brigid Jr. and her husband bought their first home, the price was a steal given the area, which was quite upscale, but for a good reason. Some of the walls were painted black (the rest seemed to be covered in those press-on mirrors). Bits of the back yard looked like it had been torched, and the carpet inside was damp enough with spilled beer that you could probably grow wild rice in the living room. It had been some young hipster's bachelor pad (or Darth Vader's, we're still not sure). Now it is painted white and varying shades of blue, with three stories of glass that look out onto the Rockies, the walls seemingly joining the sky.
I'd say that if I had a favorite color, it would still be yellow, the color of butter, of daisies, and the sun that makes you weep as you look into it. Yet, there are other colors that bring back memories. The Range living room is this antique-looking sage green. It could use a redo, but I think the color will remain the same, as I go to the paint store to look at samples.
It's the color of my parents' living room, not the green of the apples in the tree in the backyard, that hung low over the limbs we'd hang from like monkeys. It's not the deep grey-green swirl of a river full of steelhead. It was more of the color of aromatic sage, reminiscent of that wonderful coming from the oven; the laughter of Mom and Grandma in the kitchen; the recipe born of white paper and cursive script. It's those smells that make you weep for the lost colors of childhood.
While browsing through the small squares of paint at the store, I think to myself that we often associate scent with specific periods of our lives, but what about color?
There, in one display, are the rich, vivid hues of sunrise. That takes me back to my last time camping out in the woods, watching the sunrise from my spot underneath a tree. At first there is only darkness, the colors of the starless night, of a deep ocean crossing, the sky then gathering a bit of light in the depths, like the eyes of Jesus that look down on us from a cross on the wall, eyes that show no age as they show no forgetting.
The first hint of day is red, the royal blue-red, that in centuries past would have been forbidden to be worn by the masses, on threat of death, then oranges and yellows, dripping like forgotten fruit into the horizon, their taste and texture, fragrant and lush against the plate of the earth. Pink and white, the color of saltwater snails found in the submerged sands of paradise, washed clean of their prison. Then finally blue, just a hint of blue, paler even than the bluest sky I remember from my last time aloft, just a hint of blue, fading, for into the sky comes the weather, thick clouds pulled up by the still slumbering earth to cover it and keep it warm.
Before the sun could even warm the earth, warm me, blue grey gave way to grey, like the whole of Lee's army taking on the battle between dusk and dawn. The blood-red of the sunrise seeps into the earth until the world goes suddenly and softly grey again. The clouds mourn and the birds sound an echo of taps up in the trees, as I sit and remember a battle of my own, tracing invisible scars of it upon soft skin.
Looking around, there in another section of the paint store are the blues and greys.
In the Spring of my childhood, after the winter cold and snow had retreated, Mom and I would head outdoors, just the two of us, along the shores of local bodies of water, looking for stones that may not have been unearthed for years, abundant and embedded in earth and sand. They're quiet treasures on the shores of the West, wind-swept lands riddled with unclaimed treasures that people simply pass and forget, not knowing what they have underneath their feet. Beneath this great land lies the jeweled richness of stone and prehistoric bones, telling tales as they surface, dotting the future with pieces of the past.
Some stones are so tiny as to be little bearings of smoothness, the size of a small bird's egg. Others take both hands to hold. My Mom, too, was fascinated by stones, and we'd search through the grey and dark, cold surfaces, looking for the one that'd break open into the glorious color of a gemstone. Rich colors forged in heat and fire and fate. We'd hunt down an agate, and knowing what we'd find inside, we'd smile.
In native Indian culture, agates were believed to cure the stings of scorpions and the bites of snakes, soothe the mind, prevent contagion, still thunder and lightning, promote eloquence, secure the favor of the powerful, and bring victory over enemies. In this agate, Mom might not find a cure for the stinging bite of what she has within her that was too soon to take her life, but in it she found strength and beauty, swirling colors of joy in that moment, something to sooth the thunder that rolled through her in dark frightened moments.
She hand-picked them and cataloged them by color and origin. I happily worked with her, capturing the deep energy of the earth, which grounded her to us.
Then, there are the reds, the color that is the crowning head of birth, the liquid grace in a gold chalice. It is color, that like blood, has as many variances as the way it can be spilled, there in a flash of light, a burning, a blow, one instant of sublimation, then darkness again. It is the color of the senses, the depth of rose, the scent of meat, the taste of a lover's whisper, a torrent of red wine, of desire and loss.
Red is also the color of warning, the flash of a light at the approach end of the runway that tells you if you are too high or too low. Such lights glare with luminous boding of the nearness of earth, the red and white lights that slide across the night itself, speaking aloud with silent sound to eyes that sometimes see what the soul cannot.
You took in those colors and process them with a quick movement of hands, as your aircraft bears down upon the earth, holding in check, the vast mass of weight and gravity as long as you can, until the engines pant as if breathless, the power brought back in the last second as the wheels kiss the pavement. Sometimes, at that point, you are breathless yourself, as the white centerline lights lead you gently in.
I think of that bright white as I look through the section of white paint. The section of samples of white is bigger than one expects, ranging from Casper the Friendly Ghost pale to rich cream, from the crystal purity of light that sparks off a diamond ring to the wood-scented smoke that is Fall. White brings to mind snow, not the snow of the ground, but the snow aloft, where thick water droplets the size of guppies give way to a thick white spray that parts as we fly through it in waves of frigid courtesy.
On such a flight, we fly in silence, but for the occasional chirp of a radio, our movements are in sync. Today, they'd call that CRM. Back then, we worked in a kind of unspoken telepathy that was both trust and history, aloft, like two birds that leave a guy wire at exactly the same time. Our hands move in a silent prayer of ritual without words, a communion of motion and metal.
Flying on a clear night, one gets the sense that movement stops as if your ship is hung suspended from the stars with no forward progress. But when the snow hits, if the moon is bright enough, you have a sense of speed that is the wild leap of a toboggan off a hill. As the miles trail behind us like wake, we look out into the snow much as we did as children, mentally sticking our tongues out to catch a flake and let it melt, looking through the windshield with a sort of hushed searching for something so far beyond us, we can't as yet grasp it. It's a look that's both the wonder of the unknown and the profound intent of knowledge, time slowing down even at 0.82 Mach.
We had command of millions of dollars worth of steel and a mission. But in that moment, we were simply children, our craft not burdened with time's dragging weight which the old garb themselves with each day, but with the unfettered fast movement that those lost moments of play out in a snow-covered field.
Color is memory, and memory is vivid color. One may bring back the other, yet neither will ever be exactly what they were. It's like an ancient recipe scribbled on frail paper, the letters faded, even if the intent is clear, familiar in form and sense, the name and presence of elusive and sentient forces of grain and yeast, water and love, a taste and smell that you can recreate, yet it will never be exactly the same. Yet, even if it is not the same, the shape and faint taste bring you back.
It comes back to you at odd times, sometimes when going full tilt into your day; sometimes as you sit in quiet reflection, a resonant, distant hum of the dog sleeping beside you. The colors around you have a spent quality, like the rise of dissipating smoke, of the steam of an ancient engine, even as they softly gleam with light, pushing from their solitude into yours, nudging that memory of the past. It's a past that can be cold and vacant or warm with color. It's all about how your soul sees what your eyes sometimes cannot.
I think of my Dad in his last days in his home, as he moved across the bedroom floor in bare, cold feet, the room nearly empty, but thunderous with the presence of my Mom. I remember the day he first opened her closet after she was gone, to see the remnants of her existence in colorful pieces of cloth, in those favorite colors of agates, blues, and black obsidian, as well as ivory, blues, and golds, discovered like gemstones when that door was broken open. How vivid the look on his face was as he found them. Not a look of grief, or incomprehension, but a look of fierce affirmation that she had been here, that she had loved him. A look of recognition, of the subtle, complex beauty that she left us - her spouse, her children.
As the sun comes up early this morning, I sit with my bread and coffee. Down the hall is a salmon-pink bathroom that was the favorite color of a young Swedish woman who was the love of someone's life before she became my Grandma. It could have been gutted and the pink tiles and cast iron tub removed when we took out the subfloor, but we didn't. Though I added some art-deco touches. I embraced the pink tiles, as Grandma G. would have done.
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It sits as proudly in the morning light as my Grandmother once did, in the bright glare of grief, where shadows not only defined and became personal but also formed and shaped her unexpected destiny. Maybe some day I'll repaint it my favorite color - yellow. But for now, it remains. She loved that color, and so, for that moment in the past, that memory, I let it lie upon the room in peace.
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